The White Lotus, Season Two
Mike White delivers a second season worthy of its predecessor.
What We Do in the Shadows, Season 4
The fourth instalment of the absurdist small-screen spinoff offers little in terms of character development, but still delivers lots of laughs.
The Walk-In
Jeff Pope’s mini-series offers an uncomfortable and stark reminder of Britain’s long-standing problem with racism.
House of the Dragon
HBO has revived the corpse of one of its greatest hits, but to little avail.
She-Hulk: Attorney at Law
There’s some value to be found in Marvel’s latest mini-series, but it’s still hard to shake the feeling that none of its events really matter all that much.
Industry, HBO/ BBC
It’s an effortlessly cool TV setting where an effortlessly and authentically diverse cast of characters attempt to scale the perilous career hierarchy of a London city bank.
Bad Sisters
Sharon Horgan’s latest is a well scripted, supremely acted triumph that delivers the grossest in-law to ever grace the small screen.
Rings of Power, Amazon
Lord of the Rings: The Rings of Power is the most expensive TV show ever made and, for better or worse, it definitely looks like it
This England, Now TV
Now we know the true nature of the events of 2020, we can better understand the true depth of the government’s incompetence.
Inside Man
Steven Moffat’s latest drama is beset by miscasting and a scarcely believable plot.
Marriage, BBC
You can make a case for minimalist paintings and minimalist architecture, but what would minimalist television look like?
The Sandman, Netflix
The Sandman is a deliberately disorientating series. You may love it or be left alienated as a result of watching.
We Own This City, Now TV
David Simon returns to the home of his greatest creation with this arresting tale of institutional corruption.
Breeders S3, Now TV
Comedy drama is a tricky genre, with few creators able to strike the balance between funny and serious – but it’s a tightrope that Breeders walks well.