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The Bikeriders

Jeff Nichols’ latest might be the coolest film of the year, but its the substance beneath it that really makes it worthwhile

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Inside Out 2

Although its existence doesn’t feel entirely necessary, there is enough good intention in this sequel to make it worth the price of entry.

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Hit Man

Glenn Powell and Adria Arjona ensure there is enough sizzle to keep this odd romcom engaging.

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Argylle

Matthew Vaughn and Jason Fuchs’ appallingly bad spy yarn offers a sneak peek of the worst-case scenario for cinema’s future.

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IF

John Krasinski’s latest feature is a well-meaning but uninspiring affair.

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Love Lies Bleeding

Rose Glass’ blood-soaked romance is one of the year’s most impressive films.

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The Fall Guy

Ryan Gosling reaffirms his status as one of Hollywood’s most dependable leading men in this empty-headed but big-hearted comedy.

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The Idea of You

Anne Hathaway and Nicholas Galitzine fail to make this misguided rom-com sparkle.

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Challengers

Luca Guadagnino’s latest slice of flagrant eroticism will polarise viewers but is an undeniably chic, debate-worthy affair.

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Civil War

Alex Garland’s imperfect dystopian thriller imagines an America that has been ravaged by internal conflict.

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Back to Black

Marisa Abela excels in this otherwise perfunctory Amy Winehouse biopic.

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Scoop

Billie Piper and Rufus Sewell elevate this whimsical recreation of Prince Andrew’s infamous Newsnight interview.

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Monkey Man

Dev Patel’s audacious directorial debut is a revenge thriller for the ages.

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Mother’s Instinct

Anne Hathaway and Jessica Chastain fail to elevate this familiar psychological thriller.

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Immaculate

This Sydney Sweeney star vehicle effectively showcases its star’s range, but is an otherwise predictable slice of horror schlock.

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Drive-Away Dolls

Ethan Cohen and Tricia Cooke’s lesbian road trip comedy is neither as entertaining or sexually liberated as it thinks it is.

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